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StreamingSoundtracks.com - To Kill A Mockingbird - Elmer Bernstein
Album Information
Cover
Album To Kill A Mockingbird
Artist Elmer Bernstein
Year 1962
Genre Soundtrack
Rating
ASIN B0000014ZR


Request Buy # Track Listing Length Played
AmazoniTunes 01 Main Title
Elmer Bernstein
3:21 191
iTunes 02 Remember Mama
Elmer Bernstein
1:08 22
iTunes 03 Atticus Accepts The Case - Roll In The Tire
Elmer Bernstein
2:06 25
iTunes 04 Creepy Caper - Peek-A-Boo
Elmer Bernstein
4:10 18
iTunes 05 Ewell's Hatred
Elmer Bernstein
3:33 12
AmazoniTunes 06 Jem's Discovery
Elmer Bernstein
3:48 19
AmazoniTunes 07 Tree Treasure
Elmer Bernstein
4:24 34
AmazoniTunes 08 Lynch Mob
Elmer Bernstein
3:04 19
iTunes 09 Guilty Verdict
Elmer Bernstein
3:11 14
iTunes 10 Ewell Regret It
Elmer Bernstein
2:11 12
AmazoniTunes 11 Footsteps In The Dark
Elmer Bernstein
2:07 72
iTunes 12 Assault In The Shadows
Elmer Bernstein
2:28 10
iTunes 13 Boo Who?
Elmer Bernstein
2:57 34
Amazon 14 End Title
Elmer Bernstein
3:23 90
Amazon 15 Suite
Elmer Bernstein
8:16 325

Hint: Hover over buttons and album/artist name next to the cover for more info.


Reviewers Rating

1 review done for this album.


One of the greatest soundtracks of all time
By: don0don
Date: 30 Oct 2008
Rating:
If the best criterion for judging the worth of a film score is how well it reflects and supports the narrative of the film, without ever upstaging it, then To Kill A Mockingbird is hands-down one of the masterpieces of film music. I defy any film music fan or scholar to name a film score that deserves a higher ranking, based upon that criterion. There are certainly film scores that can equal it -- a small number, to be sure -- but none that can exceed it.

Elmer Bernstein's score is the tale of Harper Lee's novel recast in the form of music. It is the perfect musical realization of that story, married to a perfect film adaptation of the novel.

The entire film reflects the same quality of excellence as the score. There isn't a weak element in it, from acting to directing to cinematography to editing. Even the opening title sequences is an extraordinary work of art, in itself.

There are few films that can be enjoyed again and again, viewing after viewing. This is definitely one of them.

I would argue that there are even fewer film scores that can stand up to repeated hearings, especially when heard apart from the film. This is definitely one of those few.

4 of 4 found this review helpful


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