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StreamingSoundtracks.com - Holocaust 2000, Sesso In Confessionale - Ennio Morricone
| Album Information |
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Album
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Holocaust 2000, Sesso In Confessionale |
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Artist
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Ennio Morricone |
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Year
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2002 |
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Genre
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Soundtrack |
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Rating
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 |
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Contributor
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markinboone |
Hint: Hover over buttons and album/artist name next to the cover for more info.
| Reviewers Rating |
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1 review done for this album. |
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| Sesso In Confessionale (Morricone) |
| By: |
markinboone |
| Date: |
30 Mar 2016 |
| Rating: |
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Sesso In Confessionale (1974, Sex in Confessional) is an Italian documentary film with a theologian, a psychologist, a sex therapist, and a journalist who discuss human sexuality. The Morricone score is described in Wikipedia as (Spanish autotranslated to English) "experimental . . . without any romantic melody, something that creates a harrowing environment." Indeed, Seq. 4 predominantly features a woman laughing over a percussive piano, trilling flutes, dissonant strings, grounded by an organ. Seq. 1 opens with jazz beat on the drums and becomes a sort of dialog between a cello and violin with other instrumental voices overheard in the background. Seq. 6 is an adagio with sustained tension in muted strings, piano, and drumset. Seq. 8 features strings with a solo violin mixed so it moves around the audio space. A harpsichord makes an appearance in Seq. 10 which has a driving rhythm. Seq. 11 opens with unintelligible muttering and whispers which give over to tremelo strings, a sudden forzando of the piano that ends abruptly returning to the muttering voices.
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| Sesso In Confessionale (Morricone) |
| By: |
markinboone |
| Date: |
30 Mar 2016 |
| Rating: |
|
|
Sesso In Confessionale (1974, Sex in Confessional) is an Italian documentary film with a theologian, a psychologist, a sex therapist, and a journalist who discuss human sexuality. The Morricone score is described in Wikipedia as (Spanish autotranslated to English) "experimental . . . without any romantic melody, something that creates a harrowing environment." Indeed, Seq. 4 predominantly features a woman laughing over a percussive piano, trilling flutes, dissonant strings, grounded by an organ. Seq. 1 opens with jazz beat on the drums and becomes a sort of dialog between a cello and violin with other instrumental voices overheard in the background. Seq. 6 is an adagio with sustained tension in muted strings, piano, and drumset. Seq. 8 features strings with a solo violin mixed so it moves around the audio space. A harpsichord makes an appearance in Seq. 10 which has a driving rhythm. Seq. 11 opens with unintelligible muttering and whispers which give over to tremelo strings, a sudden forzando of the piano that ends abruptly returning to the muttering voices.
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