StreamingSoundtracks.com - Diamonds Are Forever

#	Track Listing	Length	Played
01	Main Title-Diamonds Are Forever (Performed By Shirley Bassey) John Barry, Don Black	2:50	230
02	Bond Meets Bambi And Thumper John Barry	3:07	82
03	Moon Buggy Ride John Barry	4:15	15
04	Circus, Circus John Barry	2:48	9
05	Death At The Whyte House John Barry	4:52	10
06	Bond And Tiffany John Barry	3:43	11
07	Death Of Wint And Kidd John Barry	3:37	9
08	Bond Smells A Rat John Barry	1:50	7
09	Tiffany Case John Barry	3:44	13
10	007 And Counting John Barry	3:30	57
11	Q's Trick John Barry	2:24	8
12	To Hell With Blofeld John Barry	5:04	69
13	Gunbarrel/Manhunt John Barry	3:09	61
14	Mr. Wint And Mr. Kidd/Bond To Holland John Barry	4:02	13
15	Peter Franks John Barry	2:53	6
16	Airport Source/On The Road John Barry	2:59	7
17	Slumber, Inc. John Barry	2:21	8
18	The Whyte House John Barry	2:20	7
19	Plenty, Then Tiffany John Barry	2:25	8
20	Following The Diamonds John Barry	4:01	21
21	Additional And Alternate Cues John Barry	9:07	138

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Reviewers Rating

1 review done for this album.

A review by James Southall found on movie-wave.net

By:	Angel
Date:	4 Jul 2010
Rating:

The title song is surely one of the best, most iconic Bond songs; certainly it features Don Black's cleverest, most inspired lyrics, a delightfully catchy Barry melody and a typically forceful Shirley Bassey vocal - indelible stuff. Then comes the original running order of the first Diamonds are Forever album (with additional music added to a couple of tracks), then comes the extra material. Presenting the CD in this way does the music no favours, with there being little or no dramatic flow - it's most unfortunate that there were legal reasons preventing the album's producers from putting the score in chronological order.

First, the music all Barry/Bond fans already know and love - the sly action of "Moon Buggy Ride"; the languid "Death at the Whyte House"; the suave "Bond Smells a Rat"; "007 and Counting", the distant cousin to You Only Live Twice's classic "Space March"; the gleefully jazzy and catchy "Q's Trick"; and the freshly-extended "To Hell with Blofeld", now three times as long as before, the score's action highlight, with its reprise of From Russia with Love's "007 Theme". Then we start all over again in "Gunbarrel and Manhunt", the delightful action piece that score's the film's opening. Much of the rest of the new music does resemble parts of what has already been released, but now the balance of action to source music is far more balanced in favour of the former, which can't be a bad thing. The highlight of the new material is "Slumber, Inc.", which seems to come out of nowhere (though its inclusion is obvious when you see the film); opening with a kind of cheesy organ solo it develops into a choral piece of epic, mammoth proportions and is actually strangely moving.

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