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StreamingSoundtracks.com - The Presence - Conrad Pope
Album Information
Cover
Album The Presence
Artist Conrad Pope
Year 2011
Genre Soundtrack
Rating
Contributor Screamworks Records


Request Buy # Track Listing Length Played
Amazon 01 Main Title
Conrad Pope
1:46 6
AmazoniTunes 02 First Night
Conrad Pope
3:00 6
AmazoniTunes 03 The Outhouse
Conrad Pope
2:18 5
AmazoniTunes 04 Mr. Browman Arrives
Conrad Pope
2:35 5
AmazoniTunes 05 News Clipping
Conrad Pope
0:34 6
Amazon 06 Dawn
Conrad Pope
2:50 5
AmazoniTunes 07 Outhouse At Night
Conrad Pope
2:27 7
AmazoniTunes 08 A Proposal
Conrad Pope
3:55 6
AmazoniTunes 09 Whispers
Conrad Pope
1:12 5
AmazoniTunes 10 Estrangement
Conrad Pope
1:07 5
AmazoniTunes 11 Up The Stairs
Conrad Pope
4:35 5
AmazoniTunes 12 Trapped
Conrad Pope
1:26 5
AmazoniTunes 13 The Offer
Conrad Pope
1:29 5
AmazoniTunes 14 Alienation
Conrad Pope
1:50 5
AmazoniTunes 15 Epiphany
Conrad Pope
1:33 4
AmazoniTunes 16 Let's Have A Little Fun
Conrad Pope
1:44 5
AmazoniTunes 17 Time To Act
Conrad Pope
0:57 5
AmazoniTunes 18 Talking To The Dead
Conrad Pope
2:13 6
Amazon 19 Confrontation
Conrad Pope
1:46 5
Amazon 20 Revelation
Conrad Pope
3:26 5
AmazoniTunes 21 Journey Back / End Credits
Conrad Pope
4:12 5

Hint: Hover over buttons and album/artist name next to the cover for more info.


Reviewers Rating

1 review done for this album.


This is without question the horror soundtrack of 2011. It shows how effective a subtle score can enhance a film. Highly recommended!
By: MainTitles
Date: 4 Feb 2012
Rating:
Written by Thomas Kiefner - Review of the regular release

...

“The Outhouse” is a good example of how to create a scary underscore without having to resort to shrieking or slashing violins and loud distorted brass. It begins with a disturbing statement from the flutes, dissonant strings plucking, and that ever present bassoon motif. “Mr. Browman Arrives" features the flutes with violins plucking to enhance the track. “Outhouse at Night” starts off very quietly with harp and minor chords from the strings. Enter the flutes and a hornlike sounding fanfare from the bassoon. Suddenly there is a Dies Irae like motif from the orchestra with brass and an eerie statement from the violins. It ends on a very quiet note. “A Proposal shows the romantic side of Pope although the urgency of the flutes makes it presence felt. The strings and harp dominate this track until the bassoon offers the motif.

...

Read the complete review on MainTitles.net

1 of 1 found this review helpful


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