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2010 SST Awards: Composer of the Year Nominees
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Netherlands SiriusCreations VIP (subscribed member)
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PostPosted: Sun Feb 27, 2011 6:20 am   Post subject: 2010 SST Awards: Composer of the Year Nominees Reply with quote


The voting will take place summer 2011.

Now it is the time to nominate your favorites of 2010

The composer must composed soundtracks that were original released in 2010 and since it is the SST Awards it must be in the library of SST.

Please submit your nomination(s) here. You may nominate as many as you want but not the same entry more than once.

Nominations are open to VIP members, as well as regular members, but final voting will only be open for VIP members. SST staff will select a pool that VIPs will vote for!

Deadline for nominations: June 30th, 2011
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Last edited by SiriusCreations on Fri Jul 01, 2011 10:18 am; edited 3 times in total
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PostPosted: Tue Mar 01, 2011 12:48 pm   Post subject: Reply with quote


Bear McCreary (Battlestar Galactica, Dark Void, Human Target)
Danny Elfman (Alice in Wonderland, The Wolfman)
John Powell (Green Zone, How To Train Your Dragon, Knight and Day)
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PostPosted: Tue Mar 01, 2011 1:43 pm   Post subject: Reply with quote


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PostPosted: Tue Mar 01, 2011 1:45 pm   Post subject: Reply with quote


Jan A.P. Kaczmarek (Get Low)
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PostPosted: Tue Mar 01, 2011 1:52 pm   Post subject: Reply with quote


Alexandre Desplat (The King's Speech)
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PostPosted: Tue Mar 01, 2011 2:59 pm   Post subject: Reply with quote


Christopher Lennertz, for working so darned hard:
Vampires Suck
Cats and Dogs 2: The Revenge of Kitty Galore
The Horde


and also for Supernatural Seasons 1-5, which was released in 2010.
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PostPosted: Thu Mar 03, 2011 2:26 am   Post subject: Reply with quote


Alexandre Desplat (King's speecg ; the ghost writer ; Harry Potter7 ; the special relationship)
Danny Elfman (Alice in wonderland ; the wolfman)
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PostPosted: Thu Mar 03, 2011 6:16 am   Post subject: Reply with quote


Alexandre Desplat
Jan A.P. Kaczmarek
John Powell
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PostPosted: Fri Mar 04, 2011 2:33 am   Post subject: Reply with quote


Alexandre Desplat
Danny Elfman
John Powell
James Newton Howard (Last Airbender, Salt, Nanny McPhee & The Big Bang, and The Tourist)
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PostPosted: Fri Mar 04, 2011 11:31 am   Post subject: Reply with quote


Alexandre Desplat - Harry Potter and The Deathly Hallows Part 1
Danny Elfman - Alice In Wonderland
John Powell - How To Train Your Dragon
Hans Zimmer - Inception


Looks like I picked the most popular scores this year and Harry Potter. I'm not just jumping on the bandwagon or being a fan girl though, I truly enjoyed these 4 scores the most this year and I feel the composers behind them did a fantastic job and need to be recognized.
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PostPosted: Fri Mar 04, 2011 4:56 pm   Post subject: Reply with quote


Daft Punk
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PostPosted: Sun Mar 06, 2011 5:02 pm   Post subject: Reply with quote


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Alexandre Desplat (The King's Speech)
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PostPosted: Mon Mar 07, 2011 1:48 pm   Post subject: Reply with quote


Daft Punk ( TRON:Legacy) Cool
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PostPosted: Mon Mar 07, 2011 2:58 pm   Post subject: Reply with quote


Having read through some of the nominations, I'm wondering what criteria people are using. I ask this not because I'm picking on anyone's choices, but because so few people say why they are nominating someone, so I feel like I'm just supposed to know.

So, personally, what do you think it takes to be composer of the year? If it's just writing one good score, then why not nominate the score in one of the other categories? This is basically what the Academy does (whether or not you agree with their conclusions.)

Maybe it's the teacher in me, but I like to see reasoning and people show their work. It also occurs to me that a concept like "best composer" may mean different things to different people, so I'm curious about your definitions.
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PostPosted: Tue Mar 08, 2011 2:17 am   Post subject: Reply with quote


As for myself, I want to nominate people who did a very good job : composing for many good scores or at least one very astonishing one.
"good" or "astonishing" are of course defined by my personnal perception.
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