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Harry Gregson-Williams

 
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PostPosted: Sat Apr 18, 2009 2:25 am   Post subject: Harry Gregson-Williams Reply with quote


This thread is for all things regarding Harry Gregson-Williams. Talk about anything and everything regarding this composer including current or future releases, news updates, interviews, audio samples, etc. Here are a few links which give some basic information regarding the composer:

Harry Gregson-Williams SoundTrack Collector Filmography
Harry Gregson-Williams Wikipedia
Harry Gregson-Williams IMDB
Harry Gregson-Williams Albums on SST
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PostPosted: Wed Apr 29, 2009 12:59 am   Post subject: Reply with quote


Great youtube video with Harry Gregson-Williams talking about the score to the movie "Chronicles of Narnia"




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PostPosted: Wed Apr 29, 2009 2:30 am   Post subject: Reply with quote


Great interview with Harry Gregson-Williams covering all aspects of his career.








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PostPosted: Wed Apr 29, 2009 2:40 am   Post subject: Reply with quote


An interview with Harry Gregson-Williams after a concert in Madrid in June 2006. He talks about what went well and what could have been better during the concert, but also goes further by talking about his collaborations with John Powell and some details about some of his scores.



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PostPosted: Tue Nov 08, 2011 4:26 am   Post subject: Reply with quote


Harry told me today that he will host his German fanpage himself from now on.

http://www.harry-gregson-williams.de


It has a nice scoregraphy page and biography section.
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PostPosted: Tue May 21, 2013 4:52 am   Post subject: Reply with quote


He made a montage of his Tony Scott film scores:
https://soundcloud.com/harry-gw/hg-w-to … cores#play
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PostPosted: Tue Jan 13, 2015 3:28 am   Post subject: Reply with quote


Message from Harry himself:

Dear all,

I would like it to be known for what it’s worth that the ‘score’ for Blackhat maybe credited to me, but contains almost none of my compositions. I attended the premiere of the movie at the end of last week and discovered, to my horror, music that shocked and surprised me…quasi emotional (synth) string pieces that I’d never heard in my life before. I knew of at least one other composer, a good one at that(!), that had put in months of work on this movie just as I had, but this appeared to me to be in addition to both our contributions. To be honest, I’m not sure, as I’m having a hard time understanding what I heard and why it was there and I can say nothing for certain except that I was not the author of most of what is now in the movie. I feel like I want to point this out for anyone who like me cares about these things, as my name is right there listed as the lead composer and one would expect that credit to mean something, but it doesn’t. And I do care about that.

I therefore reluctantly join the long list of composers who have had their scores either sliced and diced mercilessly or ignored completely by Michael Mann. This is his film and these are his decisions and I do respect that, but see no reason to have people mistake this score for one that I composed, or in any way approved of musically. The 90 minutes of score that I did write and deliver is, as I’ve said, mostly unused.

I would still encourage you to check out his movie, as you may enjoy it.

Harry
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